Photo gallery
A signature colour for each room of the house.
Oxide flooring and lime plaster wrap in a soft chukum shade, in an apartment.
Light red tones create a warm and welcoming living room.
A juxtaposition of vibrantly pigmented lime finishing plasters.
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Beeja - a moulded wattle and daub pod finished with clay plaster
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Photo by No walls and a roof, Bangalore
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Photo by No walls and a roof, Bangalore
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Photo by No walls and a roof, Bangalore
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Photo by No walls and a roof, Bangalore
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The understated lunar white plaster in a polished finish for the Little Green Cafe.
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When things are handmade, there is a quality to every edge. A quality that draws you closer than impassive sharp geometries. Natural plasters and hand crafted furniture at the Little Green Café.
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What is the hue of a forest green? We think there is a magic in bringing natural materials together. Woven cane against the green of lime plaster.
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There is always a saturation point when working with pigments in lime plasters. After a point, the plaster refuses to absorb, leading to rogue pixels in the mix. These are samples for wall finishes of the little green café.
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The perfect bedroom
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A warm, welcoming yellow invites guests into the house
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Spaces are demarcated by the change in the colour of the lime plastered walls and oxide flooring.
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The deep olive green of the lime plastered walls sings along the stone and wood textures of the kitchen
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The nuances and textures the wall are illuminated by a ray of light through the bathroom window
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The warm palette at the Ochre House.
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A seamless ochre flooring and built-in furniture.
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Sprinkling the oxide floor mix as the ochre floor begins to form.
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A warm palette for the Ochre House.
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'Let's pause, let's fret over the smoothness of this curve, let's not let go, not yet.' Every shape that clay takes within a building is a result of the person who shaped it, and there is no way to overlook that relationship.
This is a clay and straw mural at the denim studio carved over an 18' feet wall.
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There is a place for all these materials, and when applied with imagination, and in the right context, they create magic.
Natural pigmented plaster with sunken relief.
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There is an inevitable attention that the material demands, it cannot be forced this way or that, you see, it already knows what it wants to be. Giving shape to the first coat of pigmented lime plaster.
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Natural Clay Plaster in a sponge finish.
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Clay plastered wall at the Aditi Organics Certification Office.
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The material palette is mainly wood, natural plaster panels that are pigmented in earthy hues, walls finished with natural clay and lime plaster, and a seamless silver grey oxide floor. Adding a splash of colour and vitality to the spaces are the various plants interspersed throughout the office space at Aditi Organics Certification.
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The plasters catch light, and through that, an essence and a mood.
Oxide finish wrapped around inbuilt seating against lime plaster with highlights of natural oil at the Doddagubbi Residence.
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Combed Clay | Raw | Minimal
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There is a softness to clay that comes through in the way light falls on it. Nowhere else have we seen such a glow of the lights, and such diffused shadows.
On the left is a Natural Clay Plaster in a polished finish for the Indigo Lab.
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Clay and Lime prepare a neutral backdrop for the rich shades of indigo at the denim studio.
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The white of the lime plaster. the buff of the sculpted clay plaster, and the natural grey clay paint of the ceiling. The ramp at indigo lab denim factory.
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Suta Store, a deep dive in our Memories.
Complete wrap of IPS flooring, Lime plasters and oiled Clay paints with the shade of the aptly named "Lakshmamma Clay"
"Out beyond the sitting room, where the rays of the sun can at best but barely reach, we extend the eaves or build on a veranda, putting the sunlight at still greater a remove. The light from the garden steals in but dimly through paper-paneled doors, and it is precisely this indirect light that makes for us the charm of a room. We do our walls in neutral colors so that the fragile, fading rays can sink into absolute repose. The storehouse, kitchen, hallways, and such may have a glossy finish, but the walls of the sitting room will almost always be of clay textured with fine sand. A luster here would destroy the soft fragile beauty of the feeble light. We never tire of the sight, for to us this pale glow and these dim shadows far surpass any ornament. And so, as we must if we are not to disturb the glow, we finish the walls with sand in a single neutral color." - Jun'ichirō Tanizaki
(Translated from Japanese)